Thursday and it’s Pilot Era time
Thursday and it’s Pilot Era time
A pilot era post for the weekend
Done an extra post, because I needed a positive.
Later than I intended, but here’s more Pilot Era
I’m so honored and excited to be included in this challenge! Thank you, Mr & Mrs McDaddy https://wordpress.com/read/feeds/94167368/posts/2321715920
The person behind this challenge:
This thoughtful challenge has been created by Rory.
His opinion about this challenge: He says, “Once a week, I will pick a random topic, post two quotes on that topic and nominate 3 bloggers who, in turn, will post 2 quotes on the topic and nominate 3 bloggers of their own.”
The topic for the challenge by Mr & Mrs McDaddy: Hope
My topic for the challenge: Imagination
My two quotes for Hope:
““Do not spoil what you have by desiring what you have not; remember that what you now have was once among the things you only hoped for.”
“The best way to not feel hopeless is to get up and do something. Don’t wait for good things to happen to you. If you go out and make some good things happen, you will fill the world with hope, you will fill yourself with hope.”
Much like my recent look at format busting episodes it occurred to me that another manner of busting out of the same show was the alternate reality episode. This is where you can have the same cast and a similar enough premise, but you also have the opportunity to tell different stories, have different stakes and take risks without costing the main series anything.
It’s unique to fiction that idea of what if, we can’t re-write history, or our memories, but if it’s a story, then you can do whatever you like. One of the best early examples of this was the classic Star Trek episode titled Mirror Mirror, also known as the one with evil Spock with a beard. This was an episode where Kirk, McCoy, Uhura and Scotty are beamed up from a planet during some kind of storm, they rematerialise on another Enterprise in another universe, a more savage and merciless universe. This became such a trope that half a dozen other episodes in this place followed, Deep Space 9 had annual looks into the mirror universe and Enterprise did a two-parter set there as well, a highpoint for a series I really had little time for. So when I was thinking about this, I decided to have no Trek at all in this list and to be honest, it left me with more interesting variations on this idea.
Buffy the Vampire Slayer: The Wish
Season 3: First aired Dec 8 1998.
During the final High School season of Buffy was this little gem. After being betrayed by her boyfriend and humiliated by her friends Cordelia makes a wish that Buffy had never come to Sunnydale in front of new girl Anya, only Anya is actually the vengeance demon Anyanka who makes her wish come true, creating a parallel world where two years earlier the Vampire king known as the Master rose and conquered the town. The humans hide at home and during the night the vampires (including main characters Xander and Willow) do whatever they want. Everyone is on top form with Xander being funny, but still threatening and Willow going from goofy nerd to undead bombshell. The whole thing is a masterclass on how to do alternate takes, with no character the same as you know them, but all can be recognised. The vampire Willow eventually made a bit of a comeback and it was a standout episode of that season in my opinion and it was a season full of great episodes.
Doctor Who: Turn Left
Season 4: First aired June 21 2008
A similar type of story to Wish, in that a supporting character makes a choice and that choice alters the main character’s story. Coerced into altering her own history Donna Noble prevents herself meeting her fiance and as a result changes the events of the Doctor Who story the Runaway Bride. This has the effect of the Doctor not being stopped at the end of that story, which means he dies and is unable to regenerate. So he’s unable to prevent the destruction of London by the space ship Titanic, or the Sontaran plan to poison the world’s cars, he’s equally unable to save the London hospital that Martha Jones works at. In a world growing more and more bleak, Donna then has to sacrifice herself, to put the timeline right. It’s a facinating look at what one person’s presence or absence can mean to our lives as well as what happens when the hero doesn’t save the day.
Grey’s Anatomy: If/When
Season 8 First aired Feb 2 2012
Other than the parallel earth method, the most common used is the butterfly effect method, where a simple change spins events out in very different ways. In this episode, we get Meredith Grey imagining a world where her mother kept her health and stayed with Richard Webber and raised her together. Here we see all the cast, with their lives changed, there’re are different relationships, different friendships and yet somehow certain patterns reassert. It’s a strange episode that is part what if and part study on destiny. It doesn’t really fit in anywhere in it’s run, but it was an interesting look at what could have been.
Lucifer: Once Upon a Time
Season 3 First aired May 28 2018
Another changing history episode, this had the pairing of Decker and Lucifer not happening when it was meant to as God (voiced by Neil Gaiman) altering history so that Decker never became a cop, so she never met Dan Espinoza, who became a dirty cop and not a father, other characters took different paths and yet somehow all ended up connected again. This was how the season ended, until Netflix stepped in it was how the whole thing was to end and once again, doesn’t fit in with the more dramatic elements of the 3rd season finale. The different paths were interesting with Dr Linda being in TV and Ella Lopez being a car thief instead of a forensic specialist. With no Decker or Trixie to soften her edges Mazikeen became darker and darker and Amenadiel cut off from both his home and the people in his brother’s life. After the tense finale to the Cain storyline, we needed a palette clense, but this was a bit of an oddball.
Bones: The End in the Beginning
Season 4 First aired May 14 2009
This was a bit of a stranger one. It wasn’t the result of a change in history, nor another world as such, the framing sequence is more of a novel being read to the post surgery Seeley Booth and the dream that this reading conjures up. Here everyone is the same for the most part, but living different lives. Instead of scientists in a lab, most of the cast work in a nightclub called the Lab, run by Brennan and Booth, very much a couple in love. Here Brennan is less empirical in her attitude and Booth is a bit more fun loving and more outlandish in his dress. The interns are the barman, doorman, chef, waitress, assitant and DJ. All the cast are there, having fun in these different roles with the same names. We still have Brennan, Booth, Angela, Hodgins et al, but they are all different and often happier and yet still involved in a murder mystery. Out of all of these alternate looks, I find this one to be the better episode and I can watch it again and again.
Well that’s me for now ttfn internet people.
It’s Thursday again
First aired: 17th March 2006
Mandy Patinkin – Jason Gideon
Thomas Gibson- Aaron Kotchner
Shemar Moore – Derek Morgan
Matthew Grey-Gubler – Doctor Spencer Reid
Lola Glaudini – Elle Greenaway
Kirsten Vangsness- Penelope Garcia
Synopsis: Seattle, Washington a woman called Heather is corresponding by e-mail with a man selling an vintage car. She has a test drive and soon realises that she is being kidnapped when she is being driven home after the test drive, but by that point, it’s already too late.
Washington DC, Supervising Special Agent Aaron Hotchner is talking baby names with his pregnant wife Hayley and gets a call. At a bar, Derek Morgan is doing well with a group of ladies all hanging on his every word, he too gets a call. At Quantico, Jason Gideon is teaching a class of junior federal agents and is interrupted by Dr Spencer Reid, they are all…
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Just another post from the Pilot Era
First aired: 12th May 2003
Nathan Fillion – Captain Mal Reynlolds
Gina Torres- Zoe Washburne
Alan Tudyk – Hogan ‘Wash’ Washburne
Morena Baccarin – Inara Serra
Adam Baldwin – Jayne Cobb
Jewel Staite – Kaylee Frye
Ron Glass – Shepherd Derrial Book
Sean Maher – Simon Tam
Summer Glau – River Tam
Carlos Jacott – Lawrence Dobson
Mark Sheppard – Badger
Synopsis: War has come to Serenity Valley, on an alien world in humanity’s future. The embattled independents are waiting on air-support. Led by Sgt Mal Reynolds, one squad is planning to take out an alliance skiff and with covering fire from Zoe, Mal’s good right arm, Mal manages to do just that. Cheering and full of hope, the troop are disheartened as the only air support are the alliance’s bombers, who slaughter their opposition. The war is done, the independents lost.
Years later, Mal, Zoe and their crewmate…
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One of the benefits of television is it’s familiarity. It’s a comfy blanket of pop culture. It’s rarely too daring and most of our favourite shows have very set in stone formulae. This is part of the appeal, knowing what you are getting in a way that films and any print media rarely have the need to. You put on an episode of a Law and Order show, you know you are getting a by the numbers procedural that will be very one and done. You watch something like Hannibal, you know that it’ll be tense, a bit macabre and simply a chapter in a larger tale. Both of those things are good things and both have their place. Every now and again, there’ll be an episode of a show that’ll try and do something a little bit different.
The Obvious Choice – Buffy the Vampire Slayer: Once more with Feeling
Season 6: Episode 11, first airing Nov 6 2001.
From the less than spectacular 6th season, this was the musical episode. The plot, such as it was, revolved around and demon bringing a dancing madness to Sunnydale, characters would burst into song, fully aware of how unreal and staged it seems. Most of the cast were given songs that revealed plot points and secrets and despite the idea of a musical episode being both bizarre and out of place, the episode fits rather nicely both as part of the overall arc of Buffy learning to cope after being brough back from paradise as well as standing alone enough to be watched as a singular episode.
Bones: The 200th in the 10th
Season 10: Episode 10, first airing Dec 14 2014
From a season where the show was firing on all cylinders in their usual mode of forensic-led murder mysteries, the 200th episode took a different tactic, putting the episode out as if it was a 1950’s film noir, with detectives, romantic jewel thieves and heavy sexism. The screwball comedy pairing of Boreanaz and Deschanel was well honed by this point and could move their dynamic to different jobs and eras. There was nothing ground breaking about this, but there was a sense of fun to it. It felt very much like a movie from that era, but with dialogue and production values of a more modern time. Like the last choice, this could be watched as either part of the 10th season as a welcome break, or just as a nice one off.
Season 6: Episode 20, first airing May 3 2007
Unlike the first 2 on this list, this was only partly the out of format episode and very much part of the larger season’s arc, but this was very much it’s own thing. Less the romantic cat and mouse of Bones’ noirish story, this was a lot more Raymond Chandler, it had femme fatales, plucky sidekicks, rat-at-at dialogue and something of a downbeat ending, but this felt like a noir story, jammed into the heart of the modern day retelling of Superman’s origin. Everyone was recast in new roles, but with the same names, with Jimmy Olsen a reporter with his ear to the street, Lex Luthor as a mob-boss, Lois was a lounge singer, Chloe the secretary who longed for Jimmy and urged him to succeed. Even Clark Kent was now a hard boiled detective, working undercover as the newspaper’s least imposing staff member. This was 25 mins out of a 40 minute show, but was very watchable and was a highpoint in what was quickly becoming a less than great season.
Doctor Who: Blink
Season 3, episode 10, first airing June 7 2007
I will freely admit this is a bit of a cheat. This episode didn’t shift genres or anything so bold and exciting, but it was a change in that the central character, the Doctor, didn’t actually feature as the main character, nor did the companion who was often the point of view character. The main character here was somone called Sally Sparrow, who just sort of fell into inexplicible and dangerous events involving creatures known as the Weeping Angels. This was tense and atmospheric and without the familiarity of the Doctor, you genuinely didn’t know who was going to make it out of this. Sally was the hero of this story and also the person who in a time-travel paradox sort of war set the story up. The Angels become over-used after this, but their first outing was an excellent example of what the show could be, now given the production values and budget that it had always yearned for. It is an episode that you could show to anyone who was on the fence with Doctor Who and at that point was David Tennant’s most bizarre performance as the Time Lord.
Farscape: Scratch n’Sniff
Season 3: Episode 13 first airing July 20 2001
It was hard to choose between this episode and the episode 16’s Revenging Angel and there were many bizarre shifts in that season. But they all seemed to have a linear coherence to them, it was just everything else that was bizarre. This episode was one that seemed to bounce from scene to scene with little to no sense. The episode was writting and filmed in a more traditional way, but found it’s bizarre form in the editing suite. The story is that D’Argo and John have been arguing more and more and so are sent off the ship to a nearby resort planet. Things go wrong on a number of levels and the pair try to convice the ship’s pilot to let them back on board. Being unreliable narrators, the pair fail to convince, but with cross-dressing, drugs, thieves and random weirdness being part of their lives generally, there’s not reason to believe that this wasn’t exactly what happened. It was played more for laughs than usual, one scene showing D’Argo and John waking up in a shop window wearing stockings and suspenders, but no actual trousers. This was also this season’s appearance of lead actor Ben Browder’s real life wife Francesca Bueller who showed up as the suprising cockney for an alien Raxil.
TV is often comforting in it’s familiarity, but every now and again it’s nice to see something a little bit different in there too.
Ttfn internet people.
Just wanted to post something.